install theme
abstract-dimension:

How Quickly Life Can Turn Around (by Michel Keck)
dawnawakened:

dawnawakened:
Lowell Birge Harrison, Fifth Avenue at Twilight (c. 1910)

"Lowell Birge Harrison merged his Beaux-Arts academic training with American Transcendentalist sensibilities. He combined a technical finesse with a subjective feeling for the spiritual essence of landscape that made his art and teaching (his textbook on landscape painting was a bestseller in its day) central to the Tonalist movement. Harrison championed what he called “the big vision—the power to see and to render the whole of a given scene or picture motive, rather than to paint a still-life picture of its component parts; the power to give the essential and to suppress the inessential, the power to paint the atmosphere which surrounds the objects rather than the objects themselves….” Like James Abbott McNeill Whistler and George Inness, Harrison sought to express the power of place to move the observer." - Artsy
davispierre:

(by davis ayer)
minekalac:

Aklımdan geçtin gittin, kimbilir yine kime gidiyordun..”
loganzillmer-photography:

351/365 - Dawn of the Modern Man
Something I shot before work this morning.
red-lipstick:

Zachary Johnson - Into The Gaslight from Disappointed People Holding On To Guardrails series    Paintings: Oil on Canvas
black-wolves:

Tour Eiffel Pont Alexandre III (by Mode BULB)
likeafieldmouse:

Glenn Brown - Secondary Modern (1998)

"Loneliness is a strange sort of thing.
It creeps up on you, quiet and still, sits by your side in the dark, strokes your hair as you sleep. It wraps itself around your bones, squeezing so tight you almost can’t breathe. It leaves lies in your heart, lies next to you at night, leaches the light out from every corner. It’s a constant companion, clasping your hand only to yank you down when you’re struggling to stand up.
You wake up in the morning and wonder who you are. You fail to fall asleep at night and tremble in your skin.
You doubt you doubt you doubt."

- Tahereh Mafi, Unravel Me.
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